‘Laurence Kavanagh: Segue’, Mostyn, Llandudno, Wales, 22 October 2016 – 5 February 2017  A new solo exhibition of works by Laurence Kavanagh, as part of Mostyn's Conversation Series, the project develops Kavanagh’s ongoing and expansive project to create twelve interrelated groups of work, collectively titled 'The Calendar Series'.   Through a combination of media, Kavanagh’s work engages with the idea of visual representation: photographic and cinematic practices become a ground of research for what it means to see and to be seen, to represent and to be represented. The works ultimately investigate how to navigate the relational space between 'image life', what we make visually of the world, and 'real life', what the world actually is. Kavanagh refers to the cinema as “a building created to house the projections of our inner psyche onto a screen”.
       
     
  12.3.2016 , 2016   Paper, black carbon, giclé  e print   105.5 x 138.5 cm
       
     
   
  
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    ‘Laurence Kavanagh: October’, Gallery North, Newcastle, 21 October – 13 November 2015  Solo exhibition realised as part of the Warwick Stafford Fellowship at Baltic 39, Newcastle
       
     
   
  
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     May (Segue) , 2014  Paper, graphite, giclé e print   134 × 222 cm
       
     
   
  
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  ‘April’, New Positions, Art Cologne, 19 – 22 April 2013   April , 2012  Mixed media  400 x 400 cm x 300 cm (approx.)  Commissioned by Gerald Moore Gallery, London
       
     
   
  
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   Jealousy , 2012  Steel, card, Jesmonite, paint, string, pins, theatre lights and linoleum dance floor  Sculpture and dance collaboration  Concept director, artist and designer: Laurence Kavanagh  Choreographers: James Cousins, Hubert Essakow, Daniel Hay-Gordon and Morgann Runacre-Temple  Print Room, London. Performances: 6–18 February 2012